Movies: The Hunger Games, Harry Potter and the
Order of the Phoenix
Introduction: In the movies, The Hunger Games and Harry Potter
and the Order of the Phoenix there are fire shapes. I say “shapes” because in The Hunger Games
the shape is a sphere (fire ball), and in Harry Potter and the Order of the
Phoenix the shape is a snake.
The Hunger Games technique: There is already a forest
fire around Katniss Everdeen, the heroine, which doesn’t look all that
real. Just knowing that shooting a
fireball at an actor is unlikely, I can assume that the fireballs in this scene
was computer animated.
Success?: With the combination of a
handheld camera and an ample amount of cuts, the fireballs look more real than
the forest fire, but still seems a little bit copy-pasted. For the second fireball in particular was
very quick, but showed the fireball almost hitting Katniss. However, it shows this a few times, and since
the audience already knows that there was only one fireball for this bit it
seems that the director chose to have several angles of this fireball, which is
confusing for the viewer. I think it is
successful in the sense that the audience knows that these are dangerous fireballs,
but it is not in the sense of realism.
Harry Potter and the Order of the Phoenix technique:
When Albus Dumbledore and Voldemort are fighting in the Ministry of Magic,
Voldemort conjures a huge amount of fire, which shapes into a rearing snake, then
explodes. This was certainly done with
Success?: I think that this was
done very well and convincingly, except for how nobody even gets slightly
charred when the snake explodes. The snake is not actually shown in too many shots with the actual actors,
which really helps, I think, for the audience to believe it, because whenever
computer animation and live actors are together, the ability to juxtapose the
two and determine realism is a lot easier.
The actors are in enough
shots, however, for the snake not to seem fake.
Conclusion: I definitely think that Harry Potter and the
Order of the Phoenix did a better job at playing with fire than The
Hunger Games, but both were done well enough for the stories to get across.
I worked on a team with Jasmine Truong and Maria Prada. Jasmine was in charge of the camera and drew the majority of the background, and Maria moved the blue character. Maria let us film at her house and provided the equipment. We all worked on the ending "curtains" (Jasmine's cool idea) and the word "Fin." I moved the tan character, and edited and scored the animation.